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A MEETING MASTERS MEMO

Created by
John K. Mackenzie

The Anatomy of an Offer

Previously we reviewed some of the reasons meetings often have names instead of themes. Now, here's a formula for writing promotional copy and presentations. It's really a summary of tips and techniques developed over the years by many other writers.

1. Promise a benefit in your headline or first paragraph.

You can't go wrong by leading off with the most powerful benefit you've got. (Just make sure you know what it is.)




Often called a USP for Unique Selling Proposition. Many businesses can't define their USP, much less have one to talk about. It should be the one, unique advantage you deliver – be it your marketing, delivery, price, service, choice, or exclusivity.

2. Immediately amplify your important benefit.

If you've got a great lead, build on it right away! Follow through and don't leave it hanging.




3. Tell readers exactly what they can expect to get.

Sure, you know what you're offering. But don't make the mistake of assuming your unknown visitor does! Spell it out! By the numbers. .





4. Prove your statements.

Many readers, particularly Web visitors, are skeptical and cynical. Use verifiable testimonials if you can get them.





5. Tell readers what they can lose if they don't act.

People will buy because: a) they see an advantage to getting something they haven't got, or b) they want to avoid losing something they already have.






6. Recap prominent benefits in your closing.

As a general rule (if readers get to the end of your pitch) summarize features and benefits FAST and sign off!





7. Incite action!

Find a strong, logical reason your reader should act NOW! Don't give your potential customer any reason to "come back later." But avoid old clichés such as "Supplies are limited" and "This offer will not be repeated" etc. No one believes that stuff anymore.







SOME WRITING TIPS
Use short words and sentences: Don't slow your reader down. Rudolph Flesch put it nicely, "For every 100 words you write, make sure 75% of them have five letters or less."

Rudolph Flesch and A.H.Lass, A Classic Guide to Better Writing New York: Harper, 1966, pp.288, ISBN 0062730487 Click book cover for link to Amazon.

    Rewrite and edit: RUTHLESSLY! When you think something is really great...put it away, come back in an hour, and take another look!

COPY TEST
Unless you're up against a tough deadline, try your copy out on three or four volunteers. (Avoid close friends.) E-mail evaluations often work because they encourage a candor that face-to-face meetings can inhibit.


Coming up next: ADA Lodging Specs for the Visually Impaired Official ADA guidelines that meeting planners should know more about.

Black-Belt Meeting Moves

Room Setups & Letdown

The Executive Roast

Qualifying Event Producers

Amplifying RFPs

Killer-Client Profiles

A Sales-Jock Requiem

Business Theater

The Agenda Juggle

Renovation vs Innovation

Meeting Machines

Themes vs Names

Meeting Master Triage

Anatomy of An Offer

ADA Low Vision Specs

Venue vs Virtual Meetings

A Case for Case-Histories

Speaker Contracts

Client Invoice Collections

Power for the Planners

Speaker Fee Negotiation

"Sound" Advice

AV Projection Tips

Your Audio-Visual RFP

New Business Proposals

Public Presentations

Music Licensing

Hotel Negotiating

Site Selection Checklist

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The Writing Works is an idea bank, not a production or planning company.

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