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A MEETING MASTERS MEMO

Created by
John K. Mackenzie

Your Audio-Visual RFP: Don't Get Fuzzy!

Last time Laura Stack covered some field-tested tips and techniques for negotiating name-speaker fee reductions. In this Memo Richard Ferrara, of rferrara@massav.com, shares some valuable info about how to write audio-visual equipment RFPs. 

Computer monitorI've seen my share of requests for audio-visual services. There is a very wide variety of formats, ranging from specific with minute details to vague and open ended. As with most things, somewhere in between is the best way to go: though you should lean significantly more toward specific.

I've received RFP's as ambiguous as simply requesting "projection". I can't imagine anyone would simply request that a catering department set out "food". The more specific you can be the more accurate an estimate you will receive. This doesn't mean that you have to know or list the model numbers and technical specifications of each and every piece of equipment, however.

I have received plenty of RFP's that have copied the equipmenmassAV event stagingt list from the previous show's invoice (minus the pricing, of course). While this is certainly preferable to receiving too little information, it doesn't necessarily give as accurate a comparison as it may seem. There is sometimes more than one way to accomplish the same goal, and prospective vendors may offer new ideas, less expensive options, or both. If everyone bidding is locked into the method chosen by your previous supplier, however, there is less opportunity to outline these proposals.

If information from previous shows is available and still accurate definitely use it as a guide; but also try to paint a detailed picture of the upcoming event. Let the vendors determine the technical specifications based on your needs.

When requesting "projection" list the sources that need to be projected (laptops, video playback, cameras grabbing an image of the presenter, etc.). Include other key details such as room size, projected attendance, number of panelists, and types of presentations (speech only, performances, discussions, Q&A, etc.). This information can help determine everything from stage and screen sizes to the types of projectors and sound systems required.

You should also list meeting schedules, room availability, and any other factors which will effect labor. When weighing vendors it's most important to make sure you are comparing apples to apples. Have everyone provide an estimate based on the same requirements. Make sure they list ALL charges, rental, labor, service/management fees, travel expenses, delivery charges - EVERYTHING. Tell them to pretend it's a final invoice.

Meeting roomOne final point: it's okay if the estimates are not based on your final requirements, but try to be accurate as to the overall extent of your show's needs. Most vendors determine discounts and rebates according to the size of an event. While requirements certainly change, it's not fair to promise more revenue than your show is realistically going to generate in order to receive a higher percentage discount. On the other hand, don't sell yourself short, either. Let vendors know of other potential sources of revenue such as exhibitors, affiliates, off-property events, multiple shows, etc. Anything that will behoove them to offer a more generous proposal.

Coming up next: Meeting and event emergency checklist

Black-Belt Meeting Moves

Room Setups & Letdown

The Executive Roast

Qualifying Event Producers

Amplifying RFPs

Killer-Client Profiles

A Sales-Jock Requiem

Business Theater

The Agenda Juggle

Renovation vs Innovation

Meeting Machines

Themes vs Names

Meeting Master Triage

Anatomy of An Offer

ADA Low Vision Specs

Venue vs Virtual Meetings

A Case for Case-Histories

Speaker Contracts

Client Invoice Collections

Power for the Planners

Speaker Fee Negotiation

"Sound" Advice

AV Projection Tips

Your Audio-Visual RFP

New Business Proposals

Public Presentations

Music Licensing

Hotel Negotiating

Site Selection Checklist

See also: The RFP from Hell!

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The Writing Works is an idea bank, not a production or planning company.

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